In the early 1960s, they were pioneers of the California Sound and vocal surf music styles popularized by the Beach Boys.
Jan and Dean reached their commercial peak in 1963 and 1964, after they met Brian Wilson. The duo scored an impressive sixteen Top 40 hits on the Billboard and Cash Box magazine charts, with a total of twenty-six chart hits over an eight-year period (1958–1966). Jan and Brian Wilson collaborated on roughly a dozen hits and album cuts for Jan and Dean, including the number one national hit "Surf City", written by Brian Wilson, in 1963. Subsequent top 10 hits included "Drag City" (1964), the eerily portentous "Dead Man's Curve" (1964), and "The Little Old Lady from Pasadena" (1964).
In the early sixties, innumerable recording artists helped spread the “surf sound”: however only two groups from this genre have stood the musical test of time – The Beach Boys and Jan & Dean. Throughout the sixties, Jan & Dean were always close second to The Beach Boysin popularity, yet there was no rivalry between these two bands as they often sang on each other´s records and even swapped tunes.Jan
They became
close friends in their senior year at University High where they both made the varsity
football team and happened to get team lockers next to each other. In the
shower room, with its natural echo chamber, Jan, Dean and a few other friends
began working out vocal harmonies to the hits of the day. After football season
ended, the boys decided to form a group together called The Barons. They got
their first break singing at their schoolk assembly, the group soon broke up
due to other interests, leaving only Jan & Dean.
After
teaming up with Lou Adler and Herb Alpert, Jan & Dean hit with “Baby Talk”,
“There´s A Girl”, “Clementine”, “We Got Together” and “Gee” for Dore Records
and “Hearts and Soul” for Challenge Records.
As they
weren´t given a very large recording budget to work with, they had to do all
the background singing themselves with Dean singing the lead in a high
falsetto. Since Jan & Dean were doing a lot of hops with The Beach Boys
into helping them out in the studio by cutting the instrumental tracks for
their records and adding some vocal parts. In fact, it was in the studio where
Brian Wilson gave the duo the composition “Surf City ”,
which became Jan & Dean´s only number one record. After “Surf City ”
they hit again with “Drag
City ” “Littgle Deuce
Coupe” and “Dead Man´s Curce”. “The Little Old Lady From Pasadena” was their
next top-tenner and was written about a real little old lady who was doing
local Dodge TV commercials. Their next single was “Ride The Wild Surf”, the
title tune of the movie of the same name that were supposed to star in along
with Fabian.Undauted, Jan & Dean made a lot of appearances on TV, including
the Ed Sullivan Show and Dick Clark´s American Bandstand.
In April
1966, Jan totalled his corvette on Whittier
Blvd , and was so damaged physically and mentally
that he almost died, in fact, he was totally paralysed for over a year. Dean
tried to continue on his own, but soon gave it up for a new vacation –
designing album covers for his own company, Kittyhawk Grapics. After Jan
recovered most of his coordination, he recorded a few singles with his first
producer Lou Adler which went nowhere. The duo attempted one comeback at a Surfer´s
Stomp Reunion in 1973, but the result was disappointing.
In 1977
Dean decided to once again return xto the recording studio. Slight nostalgia
crept in here when Dean,coupled with some of his close friends from the past
(utilizing today´s sophisticated recording equipment) decided to recut 10 of
the most memorable songs Jan and he sung together in the early 60´s. We´re
pleased that these 10 songs from Side A of his album.
Perhaps the
reason that Jan & Dean´s music is still enjoyable to listen to is that, in
addition to their vocal prowess, they always added a sense of humor to their
topical tunes. The liner notes on their “Command Performances” album called
them “The Laurel and Hardy of the Surf Crowd”, and it is their satirical sense
as well as their musicianship that makes their tunes transcend the times.
Side A
A1. Surf City A2. Dead Man’s Curve
A3. Ride The Wild Surf
A4. Help Me, Rhonda
A5. Little Deuce Coupe
A6. Fun, Fun, Fun
A7. I Get Around
A8. Sidewalk Surfin’
A9. Drag City
A10. The Little Old Lady (From Pasadena)
Side B
B1. Baby Talk
B2. Gee
B3. We Go Together
B4. There’s A Girl
B5. Cindy
B6. My Heart Sings
B7. Judy
B8. You’re On My Mind
B9. Clementine
B10. Heart And Soul
Credits
- Performer – Dean Torrence, Jan Berry
- Written-By – Wilson (tracks: A1 to A9), Berry (tracks: A1 to A3, A9, B2, B5, B7 to B9), Christian* (tracks: A2, A3, A5, A8, A9)
Release: 1979
Genre: Rock, Pop
Style: Surf, Rock & Roll
Label: K-Tel Records
Catalog# NC 502
€ 5,00
Album: Gebruikerssporen
Cover: Gebruikerssporen
http://www.ad-vinylrecords.com/product/jan-dean-the-jan-dean-story-lp/
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