september 30, 2020

Chorale - Chorale (1978) - €2,99

British group, the music of which combines elements of prog rock and folk. 
CHORALE Chorale (British Prog Folk 1979 UK 11-track LP debut which kicks off in epic style with the six-part Warrior taking up the whole of the first side.
Includes the traditional spanish song "Riu Riu" covered by Chorale in 1978.


Side A (Warrior:)
A1. Anthem
A2. Merry Old England
A3. Thomas Harper
A4. Songs For Every Season
A5. War
A6. The Battle

Side B
B1. Come The Night-Time
B2. Riu Riu
B3. Child Of Space
B4. Heavy Load
B5. Pantomime


Companies, etc.

Credits

Notes
Release: 1978
Genre:  Folk
Label:  Arista ‎Records
Catalog#  5C 062-62248
Prijs:  €2,99

Vinyl:  VG
Cover:  VG

september 29, 2020

Snowy White - White Flames (1983) - €3,99

White Flames is the first solo album by British blues guitarist Snowy White, released in 1983.

Snowy doesn't have the greatest rock 'n' roll voice in the world, either, but can carry a song. however, this album, over the years, is one I've often revisited and is very enjoyable. 
The production (Kuma Harada on the first 2 tracks and Tom Newman on the rest) is lovely and open, the bass and drums being superbly handled, really hitting home and without the depressing compression that you tend to get nowadays in the age of mp3! Snowy's guitar playing is varied and the riffing and solos are well-handled. Instrumental track "The Journey" never becomes boring and Bird of Paradise is simply sublime.

"Open Carefully" - An instrumental, which has a new wave feel (yes, really) to the start and then turns to jazz-rock before Snowy lets rip with a trademark solo, drenched in blues. It leads neatly into ...

"At The Crossroads" - The first part of which is a lengthy instrumental passage; with heavy guitar which gives way surprisingly to a tuneful song and some nice acoustic Spanish guitar (the Al Stewart-y bit). Snowy's vocals are OK, but spoken more than sung - he's clearly a guitarist first and singer second. A decent writer though (another surprise) and very personal-sounding lyrics.

"The Journey Part One" - A slow-burner to start this two-part instrumental (very Peter Green/Fleetwood Mac) leading to ...

"The Journey Part Two" - Where the pace picks up (Colosseum II-style), with Snowy using controlled feedback to great effect.

"Lucky Star" - Not a Madonna cover, you'll be relieved to hear but still a poppy song, which opened the lp Side 1 and could easily have been another single (although at almost 7 minutes long it would have needed some heavy editing). Again the vocal gives way to some jazzy instrumentation and then Snowy jumps in with a very tasteful jazzy blues solo. It ends with some lengthy blues guitar which, for me, goes on too long without clear direction.

"It's No Secret" - Another poppy song but more of a rocker and shorter, with a blues guitar outro which ends all too soon this time.

"Don't Turn Back" - More pop - reminds me of Sniff 'n' The Tears' "Driver's Seat" (which I really like) meets Martha And The Muffins' "Echo Beach" (which I also like) with a sprinkling of Peter Green style lead guitar for good measure!

"Bird Of Paradise" - A very tuneful ballad, elevated by a tasteful blues solo. Not the single version and all the better for it.

"Lucky I've Got You" - A bass-driven pop number. The only slightly weak-sounding track here. Nice lead guitar though.

"The Answer" - A real stormer to end with. I think Snowy contributed more to Thin Lizzy than he often receives credit for and the intro to this track more than hints at this, before he launches into a Colosseum II-style riff and a heavy vocal - no hint of pop here! My favourite of all these.


Side A
A1. Lucky Star - 7:00
A2. Bird Of Paradise - 4:56
A3. The Journey – Part One - 3:07
A4. The Journey – Part Two - 3:31

Side B
B1. Don’t Turn Back - 3:50
B2. It’s No Secret - 3:51
B3. Lucky I’ve Got You - 3:57
B4. The Answer - 3:37
B5. Open Carefully - 3:09
B6. At The Crossroads - 4:51


Personnel

Production
  • Tom Newmanproducer, engineer 
  • Kuma Harada – producer 
  • Snowy White – production assistant
  • Martin Adam – remixing and engineering
  • Chris Porter – engineer
  • Bernd Matheja – sleeve notes 
  • Alan Ballard – photography 
  • Chris Craymer – photography
  • Kouji Shimamura – cover concept and artwork
  • Bob England – project director

Notes
Release: 1983
Format:  LP
Genre:  Pop
Label:  Towerbell Records
Catalog#  TOWLP 3
Prijs:  €3,99

Vinyl: VG
Cover: VG

september 25, 2020

Richard “Dimples” Fields - Dimples (1981) - €7,99

Richard "Dimples" Fields (March 21, 1942 – January 12, 2000)was an American R&B and soul singer, popular during the 1980s. 
Sources differ as to whether he was born in New Orleans, Louisiana, or San Francisco, California. However, he began singing professionally in the latter city in the early 1970s, purchasing a San Francisco cabaret, the Cold Duck Music Lounge, where he headlined. He took his nickname, "Dimples", from a female admirer who remarked that he was always smiling.

Richard Dimples Fields could almost have been labelled a veteran of the music industry by the time he released 1981s ‘Dimples’ album having issued his first full length set in 1973. ‘Dimples’ kicks off with the breezy ‘I Like Your Lovin’ a good modern soul dancer as is ‘Let Me Take You In My Arms’. ‘In The Still Of The Night’ is a late night dancefloor moment while ‘She’s Got The Papers On Me’ answers Barbara Mason/Shirley Brown with a twist at the end with a female rap putting Richard back in his place! ‘I’ve Got To Learn To Say No’ is a bouncy uptempo dancer.

It's tough to find middle ground in how people feel about Richard "Dimples" Fields. Either they think he was a sly, clever, everyman's singer or he was a one-trick pony who overplayed his cliched schtick for the better part of two decades. The answer is probably somewhere in the middle.
The Louisiana-born Dimples was the owner of a San Francisco nightclub for years and was a popular regional act when he was signed by former Casablanca Records Neil Bogart for his fledgling Boardwalk Records label. Dimples was already 36 years old by the time he was signed, and he created a sound definitely aimed at a more adult crowd.
 Neither a great singer nor musician, Dimples appeared to breeze through his material purely on personality. His wispy voice was perfect for the musically lightweight songs he released about his views on life and love (mostly illicit). His first album for Boardwalk was quite popular, boasting a hit cover of the Penguins' 50s hit, "Earth Angel." 

The rest of the disc was generally forgettable, save a cut that still gets play today. "She's Got Papers On Me" was the lament of a married man staring at the mirror, stuck with a wife but wanting his mistress. The six minute song is nothing special until his wife (played by Betty Wright), overhearing the song, interrupts and rips through a 2 minute hilarious rant with her view of the situation. 
Wright propelled "She's Got Papers" into a soul radio staple, and provided the most memorable moment on any Dimples record.  It also led to the response record by Barbara Mason, "She's Got the Papers (I Got the Man)"


Side A
A1.  I Like Your Lovin - 3:38
A2.  Let Me Take You In My Arms Tonight (Vocals – Betty Wright) - 3:58
A3.  Let The Lady Dance - 5:19
A4.  Lovely Lady - 3:39
A5.  In The Still Of The Night (I’ll Remember) - 3:46

Side B
B1.  She’s Got Papers On Me (Vocals – Betty Wright) - 6:39
B2.  I’ve Got To Learn To Say No! - 3:52
B3.  Earth Angel - 3:47
B4.  Don’t Ever Take Your Love - 5:04


Companies, etc.

Credits

Notes
Release: 1981
Format:  LP
Genre:   Soul 
Label:   The Boardwalk Entertainment Co.
Catalog#   518505
Prijs:  €7,99

Vinyl:  VG
Cover:  VG


september 24, 2020

Karla Bonoff - Wild Heart Of The Young (1982) - €4,99

Wild Heart of the Young is the third album by singer/songwriter Karla Bonoff
The album includes Bonoff's only Top 40 hit, "Personally", which peaked at No. 19 on the Billboard singles chart. It is unusual in that it was not written by Bonoff.
This album Bonoff "has finally stopped playing the role of the passive loser…" and "strengthened her style to the point that she no longer sounds like an all-too-willing victim of love." 
It relates that "[i]n her finest performance, she turns Paul Kelly's "Personally,"… into a sly tour de force of sexual tease." And concludes of the album that "at its best it says goodbye to the smoggy, posh romanticism of Seventies L.A. with a confident kick of the heels."
After two modest-selling albums, Karla Bonoff tried a new approach with her third, posing for a cover photo in a lace dress with a male model, cutting a specially chosen cover song for a hit single, and making an MTV video. 
And it worked, sort of. Paul Kelly's "Personally," a coy and catchy pop song utterly uncharacteristic of Bonoff's other work, did make it into the Top 40. But that didn't stimulate the album's sales enough to keep Columbia Records from dropping Bonoff
Beyond the commercial considerations, though, Bonoff's original songs, which made up the bulk of the album, simply were not up to the standard set by her debut, and Wild Heart Of The Young was the weakest of her three Columbia Records albums. 


Side A
A1. Personally - 3:37
A2. Please Be The One - 4:08
A3. I Don’t Want To Miss You - 4:28
A4. Even If - 4:06
A5. Just Walk Away - 4:14

Side B
B1. Gonna Be Mine - 4:00
B2. Wild Heart Of The Young - 4:51
B3. It Just Takes One - 4:43
B4. Dream - 3:54


Personnel

Companies, etc.

Credits

Notes
Release:  1982
Format:  LP
Genre:  Soft Rock
Label:  CBS Records
Catalog#  CBS 85173
Prijs:  €4,99

Vinyl: VG
Cover:  Bovenkant rand beschadigd


september 22, 2020

Roger Voudouris - Roger Voudouris (1978) - €6,99

John Roger Voudouris (December 29, 1954 – August 3, 2003) was an American singer-songwriter/guitarist best known for his 1979 hit, "Get Used to It".

Voudouris was born in Sacramento, California and formed Roger Voudouris' Loud as Hell Rockers while still attending C.K. McClatchy High School, entering regular performances at the Elegant Barn Nightclub. That band would later enjoy small success while performing as an opening act for The Doobie Brothers, Stephen Stills, and John Mayall. Voudouris also performed in Voudouris/Kahne with David Kahne, prior to being signed by Warner Bros. Records as a solo act.

His first solo album was the self-titled Roger Voudouris released in 1978; it received little interest from radio or other media.This 1978 self-titled effort is the debut album from the late Roger Voudouris. It was produced by Michael Omartian who was certainly involved in some superb records in the latter half of the '70s such as Steely Dan's "Katy Lied", Boz Scaggs' "Down Two Then Left", and the self-titled debut from Christopher Cross (which he produced). Unfortunately, this weak album from Roger Voudouris is a different story.  
It's telling that on the back cover of the album it features a picture of Voudouris sitting between the two members of his rhythm section, suggesting this is some kind of power trio album--indeed, this is PARTLY the case, however, Voudouris seems torn between wanting to be a hard-rocking progressive rocker and a soft-rock balladeer. 
 I was very surprised to hear what a technically accomplished guitarist Voudouris was--his light speed guitar solos on "Hold On" and "The Finger Painter" suggest he wanted to be another Eddie Van Halen, but unfortunately, these solos come across as annoyingly showoff-y instead of being in service to the songs. And that leads to another major problem--the songs are uniformly weak; there's not a single gem on the entire album. 
 Voudouris, who wrote 5 of the tracks here himself & co-wrote the remaining 4, was clearly lacking in songwriting ability--he seems to have a nearly non-existent ear for melody, and his lyrics are generally shallow, even when he goes for depth on "The Finger Painter", and they're often sappy as on the incredibly lame ballad "What Are You Doing After Class?" and the half-baked "Will I Ever Feel Good Again". Like Voudouris, his band members--Dwight Marenia on bass and Peter Pfiefer on drums--clearly had some serious chops, but they don't seem to really know how to put them to good use. Adding insult to injury are Voudouris' vocals--he tries to sound soulful, but his vocals end up being consistently overwrought; he seems to be trying to mask his lack of melodic ability with vocal acrobatics, and he actually ends up embarassing himself and making his weak lyrics sound even worse. "Hold On" starts off with a catchy riff but derails almost instantly. 
 The 8+ minute album closer "We're Out Of Time" puts his progressive rock leanings on full display, and it does have an impressive layered guitar intro, plus some respectable licks, but it's frustratingly aimless & doesn't maintain interest throughout. Apart from that kinda-sorta highlight, it figures that the album's other best song is the one that puts Michael Omartian's name first in the songwriting credits, and it's the first song on the album, the pleasant "Don't Turn My Music Down"--it makes the album overall feel like an unfulfilled promise. 
 With a trio of such technically accomplished musicians, plus the presence of Omartian who contributes keyboards, background vocals, and 3 songwriting co-writes in addition to producing, it's really disappointing that a quality album didn't result from all of this. This late '70s relic has very little to make it worth its time and is really better off forgotten. 


Side A
A1. Don’t Turn My Music Down - 3:06
A2. What Are You Doing After Class? - 3:03
A3. Hold On - 3:39
A4. Let The Singer Sing - 4:47
A5. I’m There - 3:15

Side B
B1. Will I Ever Feel Good Again - 3:43
B2. Friends For Ever - 4:07
B3. The Finger Painter - 4:36
B4. We’re Out Of Time - 8:27

Credits


Notes
Release: 1978
Format:  LP
Genre:  Rock
Label:  Warner Bros. Records
Catalog#  BSK 3154
Prijs:  €6,99

Vinyl:  VG
Cover:  VG

september 21, 2020

1994: - 1994: (1978) - €7,99

Karen Lawrence is an American singer and songwriter, who has worked with the L.A. Jets, 1994, Karen Lawrence and the Pinz and Blue by Nature. She sang backup vocals on "Get It Up" from Draw the Line by Aerosmith and also sang on a Jeff Beck album.

A stage performer continually since the age of nine, she fronted her first band, a blues outfit, at the age of 13. As front woman for the A&M band 1994: (produced by Jack Douglas), Lawrence's distinctive and emotive vocal stylings frequently put her on international critics’ "Best Female Singer" lists.

1994: was much better than some people think, and Karen Lawrence is just a fantastic singer. I've followed her since she was in the group the L.A. Jets. I also hope that they'll release their second and last album "Please Stand By" from 1979. 
It's a great album too, but this debut from 1978 is absolutely amazing, and I do remember several of the songs getting a lot of airplay, but 1994 never could make it big like some groups. It's a shame, because they had outstanding musicians, wonderful songs, and Karen Lawrence can really belt them out with the best of them. 
She's been one of my favorite female vocalists ever since I first heard her from her L.A. Jets days. For those who are fans of Karen.


Side A
A1. Once Again - 5:47
A2. Shoot To Kill - 3:54
A3. Sing To Me (Backing Vocals – Eric Troyer) - 4:47
A4. Heleana - 4:46

Side B
B1. Bring It Home - 4:45
B2. Radio Zone - 3:32
B3. Hit The Hard Way - 4:15
B4. Read Up - 3:18
B5. Anastasia - 3:19

Companies, etc.


Credits

Notes
Released:  1978
Format:  LP
Genre:  Rock 
Label:  A&M Records ‎
Cataog#  AMLH 64709
Prijs:  €7,99

Vinyl:  VG
Cover:  VG

september 20, 2020

Tom Robinson Band - Power In The Darkness (1978) - €4,99

Tom Robinson Band (TRB) are a British rock band, established in 1976 by singer, songwriter and bassist Tom Robinson
The band's debut single "2-4-6-8 Motorway" was a top five hit on the UK Singles Chart in 1977, and their third single, "Up Against the Wall", is seen by some as a classic punk rock single; while their debut album, Power in the Darkness (1978), is regarded as a definitive late-1970s punk album.
Power in the Darkness is the debut studio album by English punk band Tom Robinson Band, released in early 1978. The UK LP had ten tracks. It included inside the album cover a stencil similar to the cover art, but with the album title replaced by "Tom Robinson Band"; it held the warning, "This stencil is not meant for spraying on public property!!!".
 This is the album by which Tom Robinson's works have been measured; its consistency is all the more remarkable, since he'd written several keynote tracks while toiling in the go-nowhere folk trio Café Society (such as Robinson's defining anthem, "Glad to Be Gay"). Power in the Darkness is proudly defiant as the era that inspired "Up Against the Wall," "Ain't Gonna Take It," "Long Hot Summer," or "The Winter of '79," which level fierce disdain for social hypocrisy. 
So does the nearly five-minute title track and funk-rock tour de force, while Chris Thomas' production is as razor sharp as the band itself. Guitarist Danny Kustow's go-for-the-throat style is the driving force; it's storming on the rockers yet suitably restrained on quieter fare like "Too Good to Be True," Robinson's lament for oft-delayed social change. Keyboardist Mark Ambler is equally assertive on colorful Hammond organ swashes, while Robinson plunks down simple, legato basslines, and Brian "Dolpin" Taylor keeps the beat pouncing, where others might let it loiter. 
The live/studio bonus EP, Rising Free, demonstrates the band's explosive nature. The Ambler-Kustow interplay works to thunderous effect on "Don't Take No for an Answer," Robinson's bittersweet account of a soured publishing deal with the Kinks' Ray Davies; the hit "2-4-6-8 Motorway," one of rock's great drive-all-night numbers; and a searing rearrangement of Bob Dylan's plea for a wrongly accused inmate, "I Shall Be Released." 
The forceful tone is sometimes undermined by a strident sloganeering streak, as typified by "Right On Sister" or "Better Decide Which Side You're On," but that's a minor complaint amid the music's unflagging strength. Think music and politics don't mix? Listen to this album, and then decide.


 Side A
A1. Up Against The Wall - 3:35
A2. Grey Cortina - 2:10
A3. Too Good To Be True - 3:35
A4. Ain’t Gonna Take It - 2:53
A5. Long Hot Summer - 4:44

Side B
B1. The Winter Of ’79 - 4:31
B2. Man You Never Saw - 2:44
B3. Better Decide Which Side You’re On - 2:50
B4. You Gotta Survive - 3:15
B5. Power In The Darkness - 4:55


Tom Robinson Band

Technical
  • Bill Price – engineer
  • Jerry Green – assistant engineer
  • Brian Palmer – art direction
  • Terry O'Neill, Peter Vernon – photography

Notes
Release:  1978
Format:  LP
Genre:  Punk, Pop Rock
Label:  EMI ‎Records
Catalog#  EMC 3226
Prijs:  €4,99

Vinyl:  VG
Cover:  VG

One Way - Wild Night (1982) - €7,99

One Way was an American R&B and funk band that was popular in the late 1970s, and throughout most of the 1980s, led by singer Al Hudson.

One Way was an American R&B/Funk band that was very popular in the late 1970s and throughout most of the 1980s. One Way was formed in 1979 in Detroit, Michigan as the newer incarnation of a band originally known as Soul Partners. 
The original members were Al Hudson, Alicia Myers, guitarists Dave Roberson and Cortez Harris, bassist Kevin McCord, drummer Gregory Green and keyboardist Jonathan Meadows. They first recorded as "Al Hudson and the Partners", scoring an R&B hit on the ABC label called "You Can Do It" in 1979.. 
At that time, however, ABC Records was in the process of being taken over by MCA Records as part of a buyout, and when the band moved to the MCA label, they subsequently changed their name to One Way featuring Al Hudson before becoming One Way. Their First release on MCA was the selftitled album One Way featuring Al Hudson and they had a minor hit in 1979 with the song Music . They stayed on MCA from 1980 to 1988 and scored five Top 10 U.S.R&B chart hits, with the biggest being "Cutie Pie," which reached number four in 1982. 
Original frontwoman Alicia Myers left the band in the early 1980s to pursue a solo career. She was replaced by Candye Edwards, who served as female leadsinger of the group from 1981 to 1985. Edwards' debut was on the Fancy Dancer album, and she remained with the group throughout the biggest successes, including "Cutie Pie." 
In 1988 they moved to Capitol Records, where they released their final album, A New Beginning, later that same year. By this time, only Hudson, Roberson, and Meadows remained from the original line-up.

"Wild Night" is their 6th album, released in 1982.


Side A
A1. Wild Night - 5:36
A2. Back To Yesterday - 4:09
A3. Making You An Offer - 4:23
A4. Middle Of Our Lives - 4:34

Side B
B1. Don’t Fight The Feeling - 4:23
B2. Toast To The Other Man - 4:31
B3. Can I - 3:36
B4. Put Your Trust In Me - 3:57
B5. One Of Us - 2:53


Companies, etc.

Credits

Notes
Release:  1982
Format:  LP
Genre:  Soul, Synth-funk
Label:  MCA Records
Catalog#  205 054
Prijs:  €7,99

Vinyl:  VG+
Cover:  VG+

september 18, 2020

The Tubes - What Do You Want From Live (2LP) (1978) - €9,95

What Do You Want from Live is the fourth album released by The Tubes. It is a live album, recorded at the Hammersmith Odeon, London. 
Although their studio albums were often hit-and-miss affairs, the Tubes could always be counted on for a good live show during their mid-'70s heyday. In fact, they became a legend in the rock & roll world for their glitzy shows, which included half-nude women performing elaborate dance routines and a variety of characters invented by frontman Fee Waybill, like punk rocker "Johnny Bugger" and blissed-out glam rock icon "Quay Lewd." What Do You Want from Live can't reproduce all this visual stimuli but it does show what many critics forgot to notice about the Tubes, i.e., the fact that they were a really sharp and exciting live band. Stripped of their outre visual surroundings, songs like "Mondo Bondage" and "I Was a Punk Before You Were a Punk" still pack a visceral punch thanks to their effective combination of gonzo humor and catchy melodies. 
Elsewhere, the Tubes get to show off their surprisingly impressive chops on "Overture," a fast-paced medley that transforms the instrumental highlights of six different songs into one head-spinning pomp-rock blitz, and "Crime Medley," a witty tapestry of crime jazz woven from television theme songs like "Theme from Peter Gunn" and "Theme from Dragnet." The downside of What Do You Want from Live is that some of the numbers are less potent without the choreographed routines surrounding them: "Smoke (La Vie en Fumer)" and "What Do You Want from Life" both feature Fee Waybill talking about the visual chaos surrounding him and this leaves the listener feeling like they're only witnessing part of the joke (if only someone would put out a video of one of the Tubes' shows from this era). 
Despite this caveat, What Do You Want from Live remains a witty and entertaining live album. It may not win any new converts to the Tubes' camp, but fans of the group will definitely want to check out this entertaining souvenir from the group's wildest era. 


Side A
A1. Overture - 5:56
A2. Got Yourself A Deal - 4:30
A3. Show Me A Reason - 3:28
A4. What Do You Want From Life - 5:12

Side B
B1. God-Bird-Change - 4:48
B2. Special Ballet - 1:01
B3. Don’t Touch Me There - 3:48
B4. Mondo Bondage - 3:25
B5. Smoke (La Vie En Fumer) - 8:20

Side C
C1. Crime-Medley
       (a) Side Effect-Siren - 0:08
       (b) Theme From “Dragnet” - 0:07
       (c) Theme From “Peter Gunn” - 0:34
       (d) Theme From “Perry Mason” - 1:13
       (e) Theme From “The Untouchables” - 1:03
C2. I Was A Punk Before You Were A Punk - 4:02
C3. I Saw Her Standing There - 2:57
C4. Drum Solo - 4:20

Side D
D1. Boy Crazy - 2:40
D2. You’re No Fun - 3:15
D3. Stand Up And Shout - 3:30
D4. White Punks On Dope - 8:33


Companies, etc.
Credits

Notes
Released: 1978
Format: 2LP (Gatefold)
Genre: Rock, Glam, Proto Punk
Label: A&M Records ‎
Catalog# AMLM 68460
Prijs: €9,95

Vinyl: VG
Cover: VG

september 14, 2020

Gallagher And Lyle - Breakaway (1976) - €4,99

Gallagher and Lyle were a Scottish musical duo, comprising singer-songwriters Benny Gallagher and Graham Lyle. Their style consisted mainly in pop, soft and folk rock oriented songs.

Breakaway is the fifth studio album by Scottish duo Gallagher and Lyle. The title track became a hit for Art Garfunkel, and "I Wanna Stay with You" was a U.S. Pop hit. A second hit from the album, "Heart on My Sleeve," also charted in both Canada and the U.S.
Gallagher & Lyle, previously members of McGuinness Flint released a decent album here. "Breakaway" (covered by Art Garfunkel) is a catchy song. "Stay Young" and "Fifteen Summers" are 2 very beautiful folk songs. Sometimes they sound like Simon & Garfunkel.
"Heart on my sleeve" is another hidden gem with a different accompaniment with accordion behind.
The rest, mostly faster songs is somewhat lesser and sounds more country-pop. "I Wanna Stay With You" is the weakest song of them.
Gallagher and Lyle have a very 'easy' style. Their music is slightly progressive 70's folk. Yet there are some surprises on here. If I needed someone and Storm in my soul are fine sought of tropical-flavoured pop that you might have found on a Ringo Starr album from the time, and I wanna stay with you is a disco song. But the reason I bought this album was for 'Heart on my sleeve', a song that I first heard Ringo Starr do. It's a fine folk-pop song and this version adds an accordion to the mix. Fifteen summers is a nice folk song. It's an easy-going sought of album,


Side A
A1. Breakaway - 4:05
A2. Stay Young - 3:40
A3. I Wanna Stay With You - 3:00
A4. Heart On My Sleeve (Vocals [Additional] Andy Fairweather Low) - 3:24
A5. Fifteen Summers - 4:08

Side B
B1. Sign Of The Times - 3:45
B2. If I Need Someone (Vocals [Additional]  Andy Fairweather Low - 4:29
B3. Storm In My Soul (Vocals [Additional]  Andy Fairweather Low - 2:22
B4. Rockwriter - 3:07
B5. Northern Girl - 2:51


Companies, etc.

Personnel
  • Andy Fairweather Low - additional vocals on "Heart on My Sleeve", "If I Needed Someone" and "Storm in My Soul"
  • Ray Duffy – drums
  • Geoff Emerick – engineer
  • Benny Gallagher – vocals, keyboards, guitar, accordion
  • Alan Hornall – bass
  • Jimmy Jewell – saxophone
  • Billy Livsey – keyboards
  • Graham Lyle – vocals, guitar, mandolin
  • John Mumford – trombone, euphonium, timbales
  • Brian Rogers - string arrangements
  • Gered Mankowitz - photography

Notes
Release: 1976
Format: LP
Genre: Pop
Label: A&M Records
Catalog# SP-4566
Prijs: €4,99

Vinyl:  VG
Cover:  Rechtsboven kleine beschadiging