Genesis - Wind And Wuthering (1976) (LP) - €10,00

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Wind & Wuthering is the eighth studio album by English progressive rock band Genesis. It was released on 17 December 1976 on Charisma Records and is their last studio album to feature guitarist Steve Hackett. Following the success of their 1976 tour to support their previous album A Trick of the Tail, the group relocated to Hilvarenbeek in the Netherlands to record a follow-up album, their first recorded outside the UK. Writing and recording caused internal friction, as Hackett felt some of his contributions were dropped in favour of material by keyboardist Tony Banks.

The album received a positive response from critics and contributed to the band's growing popularity in the US. It reached No. 7 in the UK and No. 26 in the US and sold steadily, eventually reaching Gold certification by the British Phonographic Institute and the Recording Industry Association of America. The single "Your Own Special Way" was the band's first charting single in the US, reaching No. 62. The band's 1977 tour, their last with Hackett, was their first with Chester Thompson hired as their live drummer. Three tracks left off the album were released during this time as an extended play, Spot the Pigeon.

Side one

"Eleventh Earl of Mar" refers to the historical figure of John Erskine, Earl of Mar, a Scottish Jacobite. Its working title was "Scottish". The first line of the song, "The sun had been up for a couple of hours", is the opening line of the novel The Flight of the Heron by D. K. Broster. Rutherford, who wrote the song's lyrics, got the idea after reading a "history book about a failed Scottish rising ... around 1715". Hackett wrote the music and lyrics to the song's bridge, which was originally a section of a different song.

"One for the Vine" was a track that Banks wrote during the writing sessions for A Trick of the Tail. He spent a year working on the song until he "got it right". His aim was to piece together a variety of instrumental parts into a complete song without repeating a section. The lyrics, which came after Banks had arranged the track, are a musical fantasy about a man who had been declared a Christ-like religious figure, and was forced to lead people into battle, while the music featured a variety of styles. In the end, he becomes the prophet that he himself did not believe in, and becomes disillusioned. Banks was inspired by the science fiction novel Phoenix in Obsidian (1970) by Michael Moorcock. The song became a live favourite, and regularly featured in the band's setlist for several years.

"Your Own Special Way" is an acoustic ballad written by Rutherford in open tuning, which includes a previously unused instrumental piece in the middle. He later said it was easier to join bits of individual songs together than write a single cohesive short piece.

Collins describes "Wot Gorilla?" as one of his favourite tracks on the album as it brought in his influences of jazz fusion and Weather Report. Rutherford said of the track, "[it is] a reprise of a section out of 'Vine'. It was Phil's idea to play a fast, jazzy rhythm", that built on the success of "Los Endos" from the previous album. Hackett was less enthusiastic and initially declared it "a very inferior instrumental", but later said it was "good rhythmically, but underdeveloped harmonically".

Side two

"All in a Mouse's Night" is a comical tale inspired by Tom and Jerry. Banks wrote the lyrics with a cartoon-like feel. The song started out what Rutherford called "an involved epic" until the group abandoned this idea and approached it in a different way.

"Blood on the Rooftops" is a song concerning "the tedium and repetitiveness of television news and the overall mocking disgust that must sometimes accompany watching the news happen".The music to its chorus was written by Collins with Hackett writing the music to the verses, the song's lyrics and its classical guitar introduction. According to Hackett, the song was a love song originally. He explained, "When I heard the other lyrics on the album, there was a bit of a romantic tinge anyway, so I decided to go right the other way and make it as cynical as possible." It also addresses some political issues, which Genesis had previously stayed away from. Banks and Rutherford both claimed it was Hackett's best song as a member of the group.

"Unquiet Slumbers for the Sleepers..." and "...In That Quiet Earth" are two linked instrumental tracks. The titles refer to the last paragraph of the novel which inspired the album's title – Wuthering Heights, by Emily Brontë, which Banks had spotted in the book and thought the first title suited its mellow atmosphere. The tracks were written so that the band could showcase their instrumental talents, and stretch their musical skills as well as the songwriting.

"Afterglow" is a straightforward and concise love song, and an important development in the group's career, as it proved to them they could write short songs that they still liked. In contrast to the amount of time it took Banks to develop "One for the Vine", he wrote "Afterglow" "just about in the time it took to play it". Banks said the song "is about a reaction to a disaster and the realisation of what's important to you, in a slightly cataclysmic way [... I] made the chorus the essence of what the person is actually thinking". The ending features Collins' layered vocals. A few days after he wrote it, he came to the sudden realisation that its melody resembles that of "Have Yourself a Merry Little Christmas", which led to him playing it back and concluding "it wasn't the same". A Moog Taurus, a foot-operated analog synthesiser, was used to create a drone effect. It was a staple on Genesis tours for over ten years.


Side one
1.  Eleventh Earl Of Mar - 7:39
2.  One For The Vine - 9:56
3.  Your Own Special Way - 6:15
4.  Wot Gorilla? - 3:12

Side two
1.  All In A Mouse’s Night - 6:35
2.  Blood On The Rooftops - 5:20
3.  ‘Unquiet Slumber For The Sleepers - 2:23
4.  In That Quiet Earth’ - 4:49
5.  Afterglow - 4:10


Genesis

Production

  • David Hentschel – production, engineer
  • Genesis – arrangement, production
  • Pierre Geoffroy Chateau – assistant engineer
  • Nick "Cod" Bradford – assistant engineer
  • Hipgnosis and Colin Elgie – sleeve design
  • Tex (Nibs) Read, Andy Mackrill, Paul Padun – equipment

Recorded at Relight Studios, Hilvarenbeek, Netherlands. Remixed at Trident Studios, London


Notes
Release:  1976
Format:  LP
Genre:  Progressive Rock
Label:   Charisma Records
Catalog#  CDS 4005

Vinyl:  Excellent
Cover:  Excellent

Prijs: €10,00

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