The Temptations - All Directions (1972) - Lp

The Temptations are an American vocal group known for their success with Motown Records during the 1960s and 1970s. Known for their choreography, distinct harmonies, and flashy wardrobe, the group was highly influential to the evolution of R&B and soul music.

All Directions is a 1972 album by The Temptations for the Gordy (Motown) label, produced by Norman Whitfield.

The LP features the #1 hit "Papa Was a Rollin' Stone", a twelve-minute cover of a Whitfield-produced Undisputed Truth single. "Papa" won three Grammy Awards in 1973: Best R&B Performance by a Group for the Temptations, Best R&B Instrumental Performance for Whitfield and arranger/conductor Paul Riser's instrumental version of "Papa" on the single's b-side, and Best R&B Song for Whitfield and lyricist Barrett Strong.
All Directions was Strong's final LP as the Temptations' lyricist; Strong in fact had no direct involvement in the album as both of his compositions for it -- "Papa was a Rollin' Stone" and "Funky Music Sho' Nuff Turns Me On", were both covers (originally by The Undisputed Truth and Edwin Starr, respectively). Strong left Motown to restart his career as a recording artist.

According to group leader Otis Williams, the Temptations fought "tooth and nail" not to record "Papa Was a Rollin' Stone" or "Run Charlie Run", a socially conscious Black power track (dealing primarily with the phenomenon of white flight) that called for them to repeatedly call out, in an affected Caucasian accent, "the niggers are comin'!" According to legend, lead singer Dennis Edwards didn't want to sing "Papa's" opening lines, because his own father had died on the third of September, but in actuality, Edwards' father had died on the third of October. In addition, his father was a minister, "a good, steady, religious man", not a "rolling stone".

The group was certain that "Papa" and All Directions would flop, and that they would be back to singing ballads like "My Girl" and "Ain't Too Proud to Beg" again. Although the first single, "Mother Nature", charted at number 92 on the Billboard Pop Singles Chart, "Papa" was a number one hit and is today one of the Temptations' signature songs.
Also included on All Directions are the Edwin Starr cover "Funky Music Sho' Nuff Turns Me On" (the b-side to "Mother Nature", a Top 30 R&B hit), the Marvin Gaye & Tammi Terrell cover "Love Woke Me Up Early This Morning", and "I Ain't Got Nothin'", a rare lead showcase for Otis Williams.

A1.  Funky Music Sho Nuff Turns Me On  (2:56)
A2.  Run Charlie Run  (2:59)
A3.  Papa Was A Rollin’ Stone  (11:45)

B1.  Love Woke Me Up This Morning  (2:38)
B2.  I Ain’t Got Nothin’  (3:30)
B3.  The First Time Ever (I Saw Your Face)  (3:59)
B4.  Mother Nature  (2:54)
B5.  Do Your Thing  (2:52)

Release:  1972
Genre:  Soul / Funk
Format:  LP
Label:  Gordy Records
Catalog#  HS-1981-2

Vinyl:  Good
Cover:  Damaged

€ 10,00

Freddy Fender - Before The Next Teardrop Falls (1974) - Lp

Freddy Fender (June 4, 1937 – October 14, 2006), born Baldemar Garza Huerta in San Benito, Texas, United States, was an American Tejano, country and rock and roll musician, known for his work as a solo artist and in the groups Los Super Seven and the Texas Tornados.

He is best known for his 1975 hits "Before the Next Teardrop Falls" and the subsequent remake of his own "Wasted Days and Wasted Nights".

Before the next teardrop falls, one thing is for sure: Another Freddy Fender collection will be issued with the same title as this one, the original blockbuster album that made him a household name among an audience that extended well beyond country fans, at least for a few years. "Before the Next Teardrop Falls" was such a smash hit that record companies cashing in on Fender's popularity just had to use it on their releases.

The concept of calling these packages "greatest hits" never occurred to anybody, apparently. Thus the consumer might think they are buying this particular album when they are not, so careful.
Although the later "Before" albums are perfectly good records, like most Fender productions, he really struck a tasty groove on the original 1974 session, done with a small band of his usual bandmates and studio accomplices. Obviously the same players are featured on all the tracks, creating great continuity and a pleasing flow to the light country-rock sound. Of course, there is the surprise appearance of a harpsichord but that hardly shakes the Tex-Mex foundation.
The group's success was not just limited to the album's big hit.

Even better tracks are here, such as Fender's own hilarious song "I Love My Rancho Grande," a few covers of great country songs such as "Wild Side of Life," and the obligatory Fender "fool" song (this time it's "I'm Not a Fool Anymore"). And to no surprise, he pulls off an effective version of the weepy "Roses Are Red" to kick things off. Maybe best of all is the fantastic honky tonk song "You Can't Get There From Here." This is surely the must-have Fender album in a country fan's collection.

A1. Roses Are Red (3:10)
A2. I’m Not A Fool Anymore (2:30)
A3. Please Don’t Tell Me How The Story Ends (2:35)
A4. You Can’t Get Here From There (2:56)
A5. I Love My Rancho Grande (2:48)
A6. Wasted Days And Wasted Nights (2:52)

B1. I Almost Called Your Name (2:31)
B2. Before The Next Teardrop Falls (2:32)
B3. Wild Side Of Life (3:08)
B4. After The Fire Is Gone (2:57)
B5. Then You Can Tell Me Goodbye (2:12)

Release:  1974
Genre:  Country
Format:  LP
Label:  MCA Records
Catalog# 201401

Vinyl:  Users Marks
Cover:  Users Marks

€ 2.50

Jack Jones - Simply...Jack Jones (1972) - Lp

Real Name: John Allan Jones, Born Jan. 14, 1938 in Los Angeles, California U.S.A.
Smooth pop singer who has been performing since the late 1950's. He has had several hits and has won 2 Grammy awards.
He has done some acting and performed on many television shows. He is probably best known for singing the theme song to the television program "The Love Boat".

After having appeared with his famous father Allan Jones, Jack decided at the age of 22 to try and make it on his own. And how...

Night club acts, guest appearances with stars like Judy Garland and Bob Hope, then shows of his own, led to Cash Box honouring him as the Most Promising Male Vocalist 1962. In 1966 he was nominated for "Best Male Vocale Performance" with his recording of "The Impossible Dream", probably his best known song in the States.

This is the first time the song appears on an LP in this country, having originally been released as the B side of a single now deleted. It was during this period that Jack had great success with a hit record of thne old Academy Award winning song, first introduced on the screen by Jackie Gleason, "Call Me Irresponsible".
So on, until he is recognized as one of todays leading male singers. Which is hardly surprising when you listen to him sing.
True his style may not be in keeping with todays trends but surely that is his appeal. At a time when nothing in our lives is certain anymore, isn´t it good to know that some things haven´t changed, namely the respect Jack Jones shows for a song.

The Way he handles it, giving every note its place, loving it, caring for it, singing it.
As often as not, he is introduced as the singer we like to play when lights are low and all the old cliches come out about bottomless coffee-pots, etc., but perhaps they arent´t cliches after all, as it´s moments like these when we enjoy the simple pleasures of life.

That´s why they called this album "Simply", because the songs are all chosen for their simple easy to listen to charm, recorded by a singer who knows the worth of simplicity.
So lower the lights, close your eyes and listen...it´s simple as that.


A1.  The Mood I’m In    
A2.  A Beautiful Friendship    
A3.  The Impossible Dream    
A4.  I’m All Smiles    
A5.  Autumn Leaves    
A6.  Call Me Irresponsible   

B1.  Once Upon A Time    
B2.  Girl Talk    
B3.  People Will Say We’re In Love    
B4.  Feeling Good    
B5.  Watch What Happens    
B6.  Time After Time 

Release: 1972
Genre:  Easy Listening, Jazz
Format:  LP
Label:  Coral Records
Catalog#  CPS 84

Vinyl:  Good
Cover:  Good

€ 15,00

Ray Conniff - Welcome To Europe (1969) - Lp

Joseph Raymond "Ray" Conniff (November 6, 1916 – October 12, 2002) was an American bandleader and arranger best known for his Ray Conniff Singers during the 1960s.

After serving in the U.S. Army in World War II (where he worked under Walter Schumann), he joined the Artie Shaw big band and wrote many arrangements for him.

After his stint with Shaw, he was then hired by Mitch Miller, then head of A&R at Columbia Records, as their home arranger, working with several artists including Rosemary Clooney, Marty Robbins, Frankie Laine, Johnny Mathis, Guy Mitchell and Johnnie Ray.

He wrote a top 10 arrangement for Don Cherry's "Band of Gold" in 1955, a single that sold more than a million copies. Among the hit singles he backed with his orchestra (and eventually with a male chorus) were "Yes Tonight Josephine" and "Just Walkin' in the Rain" by Johnnie Ray; "Chances Are" and "It's Not for Me to Say" by Johnny Mathis; "A White Sport Coat" and "The Hanging Tree" by Marty Robbins; "Moonlight Gambler" by Frankie Laine; "Up Above My Head," a duet by Frankie Laine and Johnnie Ray; and "Pet Me, Poppa" by Rosemary Clooney.

He also backed up the albums Tony by Tony Bennett, Blue Swing by Eileen Rodgers, Swingin' for Two by Don Cherry, and half the tracks of The Big Beat by Johnnie Ray.

In these early years he also produced similar-sounding records for Columbia's Epic label under the name of Jay Raye (which stood for "Joseph Raymond") amongst them a backing album and singles with Somethin' Smith and the Redheads, an American male vocal group.

Between 1957 and 1968, Conniff had 28 albums in the American Top 40, the most famous one being Somewhere My Love (1966).

He topped the album list in Britain in 1969 with His Orchestra, His Chorus, His Singers, His Sound, an album which was originally published to promote his European tour (Germany, Austria, Switzerland) in 1969.

The album includes the song "Somewhere My Love". (Lara’s Theme” from “Dr. Schiwago).

A1.  Brazil   (3:03) 
A2.  Memories Are Made Of This  (2:28) 
A3.  I’ve Got You Under My Skin   (3:00) 
A4.  Volare  (2:44) 
A5.  They Can’t Take That Away From Me  (3:02) 
A6.  Greenfields  (3:12) 

B1.  Melodie D’Amour  (2:20)
B2.  Days Of Wine And Roses   (2:45) 
B3.  Spanish Eyes   (2:30) 
B4.  Somewhere My Love  (“Lara’s Theme” from “Dr. Schiwago”) (2:25) 
B5.  Mrs. Robinson (Theme from “The Graduate”)  (2:22) 
B6.  Up, Up And Away   (2:19)

Release: 1969
Genre:  Easy Listening
Format:  LP
Label:  CBS Records
Catalog#  SPR 27

Vinyl:  Good
Cover:  Good

€ 10,00

Toon Hermans - Dank U Wel Astublieft...Hoogtepunten Uit De Jubileumshow Tien Toon (1970) - Lp

Antoine Gerard Theodore (Toon) Hermans (Sittard, 17 december 1916 — Nieuwegein, 22 april 2000) was een Nederlandse cabaretier, zanger, kunstschilder en dichter. Met Wim Kan en Wim Sonneveld behoorde hij tot de grote drie van het cabaret van na de Tweede Wereldoorlog.

Bekendheid kreeg Hermans door zijn formule van de onemanshow, een voorstelling door één man uitgevoerd (weliswaar ondersteund door een paar muzikanten), die hij als eerste in het Nederlandse taalgebied introduceerde (Wim Sonneveld, Wim Kan en latere generaties zijn hem daarin gevolgd).
Hoewel zijn werk vaak als cabaret beschouwd wordt, is het dat eigenlijk niet. Hij beschouwde zichzelf als een clown, en dat is waarschijnlijk de meest juiste typering. Het was pure kolder, omlijst door liedjes waarin het leven geprezen werd, of die ook kolderiek waren.
Zijn shows waren op geen enkele manier gebonden aan de actualiteit (een kenmerk van cabaret).

Groot succes op de scène had hij met zijn 'typetjes' en zijn gevoel voor woordspelletjes. Als schrijver en dichter valt Toon Hermans vooral op door zijn aandacht voor detail: gebaren, kleine gedichten (door hem versjes genoemd), kwinkslagen.

Veel versjes van hem zitten in het collectief geheugen en kwamen op wandtegeltjes te staan. Ook zijn er diverse boeken en boekjes met zijn liedjes en gedichtjes verschenen, door hemzelf geïllustreerd.

In 1970 brengt Toon de LP "Dank U Wel Astublieft" Hoogtepunten uit de jubileumshow Tien Toon. Live opgenomen in Theater Carré, met een totale speelduur van bijna 1 uur. Tekst en Muziek van Toon Hermans zelf.   http://www.bing.com/translator

Side A
A1.   "Der Zijn Nog Zoveel Dingen….”  
A2.   De Tantes In Mijn Familie  
A3.   Want ‘T Waren Er Tien  
A4.   “Der Zijn Nog Zoveel Dingen….”  
A5.   Roosje Is Lentekroosje  
A6.   Tango Truus  
A7.   Vallen Over Benen  
A8.   Vallen Over Sex (Poeh-Poeh…)  
A9.   Sex In Lapland  
A10.  24 Rozen

Side B
B1.   Twee Verse Verzen  
B2.   Schoolherinneringen  
B3.   Waarom IK In De Hemel Kom  
B4.   Vieze Liedjes Van Vroeger  
B5.   De Wolken….  
B6.   Zweeds Walsje  
B7.   Franse Les  
B8.   Initaties Denise Maes  
B9.   Wim Kan – Buziau – Bandy  
B10.  Finale

Release: 1970
Genre:  Cabaret / Nederlandstalig
Format:  LP
Label:  Westside Studio Records
Catalog#  113525 L

Vinyl:  Good
Cover:  Good

€ 10,00

The Three Degrees - With Love (1975) - Lp

The Three Degrees are an American female vocal group, who were originally formed in 1963 in Philadelphia, Pennsylvania. Although a total of 15 women have been a member over the years, the group has always been a trio.

The current line-up consists of Valerie Holiday, Helen Scott and Freddie Pool. Holiday has been a member since she first joined in 1967, while Scott has been a permanent member since 1976, having previously been in the group from 1963 to 1966.

The group were particularly successful in the UK, achieving 13 Top 50 hit singles between 1974 and 1985.

The original members were Fayette Pinkney, Shirley Porter and Linda Turner. Porter and Turner were soon replaced by Janet Harmon and Helen Scott.

The line-up from 1967 to 1976 was Pinkney, Valerie Holiday and Sheila Ferguson, who would go on to sing lead on most of the group's biggest hits.

International is a 1975 studio album released by the female girl group The Three Degrees.

The album includes the 1974 hit single, "TSOP (The Sound of Philadelphia)". In the United Kingdom, the album was released under the title Take Good Care of Yourself, in Europe the album was issued with the alternative title of With Love.

Now past their "TSOP" apogee and working well with producers Gamble & Huff, the Three Degrees bounded back into the Top 40 with 1975's "With Love".

Working across a slick set dominated by Gamble & Huff-penned songs that provided a smooth vehicle for the trio's powerhouse vocals, the Three Degrees took the pleasing "Take Good Care of Yourself" into the charts. But despite the evidence of a fine performance, it never really feels like the band really hit its stride. Both "Long Lost Lover" and the very Motown-ish "Loving Cup" are pleasant efforts but, as the songs unfold, the band seems to stagnate across an apparently endless supply of ballads.

Even a reprisal of "TSOP" and a cover of Marvin Gaye's 1973 classic "Distant Lover" don't manage to stir the old heartstrings. Although they'd revamp and revive across later efforts for Ariola, the bandmembers were running out of steam in the confines of the Philadelphia International format. Stripped of their earlier fire and spark, it's obvious the Three Degrees really didn't have anything fresh to offer.

However, that's not to say that this album isn't without merit -- after all, it did carve a respectful niche for itself. In another time and place, "With Love" would probably crackle with effervescence but, in retrospect, there are far better ways to sample this wonderful trio.


Side A
A1. Another Heartache  (4:21)
A2. Take Good Care Of Yourself  (3:26)
A3. Get Your Love Back  (3:25)
A4. Lonelier Are Fools  (4:05)
A5. Distant Lover  (4:04)

Side B
B1. Together  (4:35)
B2. Long Lost Lover  (2:58)
B3. Here I Am  (3:58)
B4. T.S.O.P (The Sound Of Philadelphia)  (3:45)
B5. Loving Cup  (3:04)

Release:  1975
Genre:  Soul
Format:  LP
Label:  PIR Records
Catalog#  PIR 80407

Vinyl:  Good
Cover:  Good

€ 10,00

Aretha Franklin - Ten Years Of Gold (1976) - Lp

Aretha Louise Franklin (born March 25, 1942) is an American singer–songwriter and musician.

Franklin began her career singing gospel at her father, minister C. L. Franklin's church as a child. 
In 1960, at the age of 18, Franklin embarked on a secular career, recording for Columbia Records but only achieving modest success. 

Following her signing to Atlantic Records in 1967, Franklin achieved commercial acclaim and success with songs such as "Respect", "(You Make Me Feel Like) A Natural Woman" and "Think". 

These hits and more helped her to gain the title The Queen of Soul by the end of the 1960s decade.

This is a nice collection from 1976 of Aretha's best stuff (some of it) on Atlantic, the label that was home to her absolute best music.  These songs are all available on any number of collections, but it's nice to spin this one on the turntable.

The Atlantic sessions were truly special with Jerry Wexler producing those fabulous early sessions with The MG's backing up Aretha. You know all the songs, they're timeless.

It's also nice to see the Curtis Mayfield produced "Something He Can Feel" on here.  It's Aretha singing at her sexiest, and Mayfield's arrangement is sweet.

If anyone asks why they call Aretha "the queen of Soul", just put this on, she'll do the rest.

Side A
A1. I Never Loved A Man (The Way I Love You)  (2:42)
A2. Respect  (2:26)
A3. Baby, I Love You  (2:37)
A4. (You Make Me Feel Like) A Natural Woman  (2:42)
A5. Think  (2:17)
A6. See Saw  (2:44)
A7. Spanish Harlem  (3:32)

Side B

B1. Rock Steady  (3:12)

B2. Day Dreaming  (3:58)

B3. Angel  (4:28)

B4. Until You Come Back To Me (That’s What I’m Gonna Do)  (3:26)

B5. Something He Can Feel  (6:19)

Release: 1976

Genre:  Soul

Format:  LP

Label:  Atlantic Records

Catalog#  K50328

Vinyl:  Goed

Hoes:  Goed

€ 10.00

Liz Humbard - Liz Humbard (1977) - Lp

It is my privilege to be a part of the Rex Humbard Worldwide TV Ministry and to share with my dad the burden of going into all the world with the gospel of Jesus Christ.

I am grateful that Jesus has given me the gift of music so that i might use it for his glory.

As you listen to these songs, especially "I Can´t Stop Loving Him" and "Why", i pray that they will not be just words to your ears, but a reflection of the love that Jesus has and wants to share with you.

Jesus loves you

He said, "Love one another as i have loved you".

And, i love you.

Side A
A1.  Why  
A2.  Looking Back  
A3.  Lord Help Me  
A4.  I Can’t Stop Loving Him  
A5.  Plenty Of Time

Side B
B1.  Move That Mountain  
B2.  Jesus  
B3.  Let Me Live  
B4.  He Did It All For Me  
B5.  Too Much To Gain To Lose

Notes 
Release: 1977
Genre: Folk, World, & Country
Style: Religious
Format: LP
Label - World Outreach Ministry Records
Catalog# 750944

Vinyl:  Good
Cover:  Good

€ 15,00

Glenn Hughes - Play Me Out (1977) - Lp

Glenn Hughes (born 21 August 1951) is an English rock bassist and vocalist, best known for playing bass and performing vocals for rock pioneers Trapeze, the Mk. III and IV line-ups of Deep Purple , as well as working with Black Sabbath guitarist Tony Iommi as a solo artist.

On 8 April 2016, Hughes was inducted into the Rock and Roll Hall of Fame as a member of Deep Purple. Hughes is acclaimed for his wide vocal range and has been nicknamed "The Voice Of Rock" by fans.

Play Me Out his the first solo record. It was first released in July 1977. The album marked a definite change in style to Hughes’ hard rock albums with Deep Purple, moving into a funk and soul inspired direction.

Hughes had originally planned to release a solo album prior to Deep Purple splitting up. David Bowie had been initially lined up to produce the album; Bowie himself had been delving into similar musical territory at the time with Young Americans. However, due to Deep Purple’s touring schedule it was impossible for Hughes to find the time to make the album.

After Deep Purple fell apart in 1976 Hughes returned to the album and started recording at the Lee Sound Studio in Pelsall.
Hughes’ former Trapeze band-mates Mel Galley and Dave Holland supplied the guitars and drums, respectively for the album and in 1976 Trapeze reunited for a tour.

The reunion was short lived and the US tour was not completed.
Hughes came back to the studio in the autumn of 1976 to make finishing touches to the album, but it was almost a year before the album was released.

With the rise of Punk rock, it was hard for Hughes to get backing for his record and Play Me Out was initially only released in Germany. It wasn’t released in the UK until 1978 where it received little attention and was deleted not long after.

Hughes plays the following instruments on this album: Lead Vocals, Fender Bass guitar, Electric and Acoustic Guitars, Fender Rhodes 88 Electric Piano, Mini-Moog, Hohner Clavinet, ARP String Essemble.

Side A
A1.  I Got It Covered  (5:40)
A2.  Space High  (5:00)
A3.  It’s About Time  (5:00)
A4.  L.A. Cut Off  (4:31)
A5.  Well  (1:32)

Side B
B1.  Soulution  (5:42)
B2.  Your Love Is Like A Fire  (6:30)
B3.  Destiny  (5:01)
B4.  I Found A Woman  (4:07)

Notes
Release: 1977
Genre:  Funk Rock
Format: LP
Label:  Safari Records
Catalog# SFA 20312

Vinyl:  Slightly Damaged
Cover:  Some Users Marks

€ 2.50

Simon & Garfunkel, Dave Grusin - The Graduate (Original Sound Track Recording) (1968) - Lp

The soundtrack to Mike Nichols' The Graduate remains a key musical document of the late '60s, although truth be told, its impact was much less artistic than commercial (and, for that matter, more negative than positive).

With the exception of its centerpiece track, the elegiac and oft-quoted "Mrs. Robinson" -- which only appears here as a pair of fragments -- the Simon & Garfunkel songs that comprise much of the record (a series of Dave Grusin instrumentals round it out) appeared on the duo's two preceding LPs; Nichols' masterstroke was to transplant those songs into his film, where they not only meshed perfectly with the story's themes of youthful rebellion and alienation (and the inner life of the central character, Dustin Hoffman's Benjamin Braddock) but also heralded a new era in movie music centered around the appropriation of past pop hits, a marketing gimmick that grew exponentially in the years to follow.
The Graduate soundtrack, then, merits the dubious honor of being the earliest and one of the most successful Hollywood repackagings of "found" pop songs, a formula essentially based around coercing fans to purchase soundtrack albums filled with material they already own in order to acquire the occasional new track or two.

The album began its life because of Nichols' enthusiasm for the duo's music, and Columbia Records chief Clive Davis' ability to persuade the pair of the importance of a soundtrack LP. Davis turned the actual making of the album over to producer Teo Macero, who approached it with skepticism -- Paul Simon and Mike Nichols had discovered that they really weren't on the same page, with Nichols rejecting "Overs" and "Punky's Dilemma," songs that ended up as highlights of the Bookends album, issued two months after The Graduate soundtrack. Thus, there wasn't enough Simon & Garfunkel material to fill even one LP side, and only about eight minutes of that were "new" recordings, and barely a quarter of that (the "Mrs. Robinson" fragments) new song material. And there also wasn't enough of David Grusin's instrumental music (none of which meshed with the duo's work) for an album. Macero combined this material into a musically awkward LP that somehow did its job -- which, in Davis' eyes, was to introduce Simon & Garfunkel's music to the parents of their existing audience (topping the charts in the bargain, and turning Grusin's "Sunporch Cha-Cha-Cha" into a favorite of easy listening stations).

Fans of Simon & Garfunkel likely felt cheated by the presence of the "Mrs. Robinson" fragments, as well as repeats of the 1966-vintage "The Sound of Silence" and "April Come She Will," and an edited extension of "Scarborough Fair/Canticle." But there were two curiosities for the completist -- a high-wattage, edited rendition of "The Big Bright Green Pleasure Machine" (in a style seemingly parodying the sound of Bob Dylan's Highway 61 Revisited); and a gentle, subdued acoustic reprise of "The Sound of Silence," which was possibly the best studio rendition the duo ever gave of the song.

Side A
A1.  Simon & Garfunkel – The Sound Of Silence   (3:05)
A2.  Dave Grusin – The Singleman Party Foxtrot   (2:50)
A3.  Simon & Garfunkel – Mrs. Robinson   (1:11)
A4.  Dave Grusin – Sunporch Cha-Cha-Cha   (2:51)
A5.  Simon & Garfunkel – Scarborough Fair / Canticle (Interlude)  (1:39)
A6.  Dave Grusin – On The Strip  (1:59)
A7.  Simon & Garfunkel – April Come She Will  (1:49)
A8.  Dave Grusin – The Folks   (2:27)

Side B
B1.  Simon & Garfunkel – Scarborough Fair / Canticle   (6:22)
B2.  Dave Grusin – A Great Effect  (4:05)
B3.  Simon & Garfunkel – The Big Bright Green Pleasure Machine  (1:43)
B4.  Dave Grusin – Whew  (2:10)
B5.  Simon & Garfunkel – Mrs. Robinson  (1:12)
B6.  Simon & Garfunkel – The Sound Of Silence   (3:08)

Notes
Release: 1968
Genre: Folk Rock
Format: LP
Label: CBS Records
Catalog# S70042

Vinyl:  Good
Cover:  Good

€ 10,00